The sing-song girl, her fiddle broken, was beating her forehead upon the floor and wailing: Ai, ai! Ai, ai! Spurlock—or Taber, as he called himself—sat slumped in a chair, staring with glazed eyes at nothing, absolutely uninterested in the confusion for which he was primarily accountable. The inner apartment was rather gracefully furnished with a thick, fine Turkish carpet, a good brass fender, a fine old bureau, and on the walls were engravings of two young girls’ heads by Greuze, and of some modern picture of boys bathing in a sunlit pool. She jumped up at once, caught up a leather clutch containing notebooks, a fat textbook, and a chocolate-and-yellow-covered pamphlet, and leaped neatly from the carriage, only to discover that the train was slowing down and that she had to traverse the full length of the platform past it again as the result of her precipitation.
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