She hesitated about her name, and, being prompted, gave it at last as Ann Veronica Smith, 107A, Chancery Lane. He hated travelling second-class with her—indeed, he never did—but he also disliked travelling in the same train when his daughter was in an inferior class, because of the look of the thing. Every eye was fixed upon the prisoner. Following her lead, he fortified himself with a swallow of the excellent Madeira before responding. Then as she drew nearer paint showed upon her face, and a harsh purpose behind the quiet expression of her open countenance, and a sort of unreality in her splendor betrayed itself for which Ann Veronica could not recall the right word—a word, half understood, that lurked and hid in her mind, the word “meretricious. They confronted each other, barely feet apart, neither apparently any longer aware of anyone else in the room. "He has heard of your wonderful escapes, and wishes to see what you're like. .
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