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The flowers and turf, a wild strawberry, a rare butterfly, and suchlike little intimate things had become more interesting than mountains. In the adjacent apartment Ann Veronica found a middle-aged woman with a tired face under the tired hat she wore, sitting at a desk opening letters while a dusky, untidy girl of eight-or nine-and-twenty hammered industriously at a typewriter. She became more and more alive, not so much to a system of ideas as to a big diffused impulse toward change, to a great discontent with and criticism of life as it is lived, to a clamorous confusion of ideas for reconstruction—reconstruction of the methods of business, of economic development, of the rules of property, of the status of children, of the clothing and feeding and teaching of every one; she developed a quite exaggerated consciousness of a multitude of people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. It was very much like a real house, with one central stalagmite that looked like a column and a waterfall that served when she wanted to bathe. "Never heard of a sing-song girl; never heard of a geisha! Flower of the Lotus: the sing-song girl called her that. ‘Stand where you are, or I shoot!’ Like lightning, thoughts zipped through her mind.
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