On one side of the handbill a print of the reigning sovereign, Anne, had been pinned over the portrait of William the Third, whose aquiline nose, keen eyes, and luxuriant wig, were just visible above the diadem of the queen. She became aware of the modelling of his ear, of the muscles of his neck and the textures of the hair that came off his brow, the soft minute curve of eyelid that she could just see beyond his brow; she perceived all these familiar objects as though they were acutely beautiful things. She contrived to break down the barriers of shyness at last in one direction, and talked one night of love and the facts of love with Miss Miniver.
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