To-night the subtle suggestiveness of those few daring lines, fascinating in their very simplicity, the head thrown back, the half-closed eyes—the inner meaning of the great artist seemed to come to him with a rush. The Procession to Tyburn 462 XXXII. He sat back in an easy chair with a hand upon each of the elbows, and looked steadfastly into the fire. A queer game this: he could not move directly as in an ordinary case of manhunt.
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